Fuente: afasia  Texto: arquitectura viva El estudio de Shingo Masuda y Katsuhisa Otsubo architects ha sido la encargada de llevar a cabo la transformación de una antigua vivienda de dos plantas en un estudio fotográfico. La ventana como elemento arquitectónico redefine aquí el espacio, estableciendo  nuevas relaciones entre los diferentes niveles de la construcción. La intervención está caracterizada por la pres

Source: Carrilho da Graça | Divisare | Documenti di architettura. Opera e progetti João Luís Carrilho da Graça. Roberto Albeito e Rita Simone Photography: © Cristian Richter © Carrilho da Graça arquitectos A pavilion for the expo ’98, in lisbon, located by the river tagus. converted to a museum of science after the expo, including very flexible exhibition areas and associated support spaces and administrative of

Fuente: Hidden Architecture/ atlasofplaces La reputación del diseñador por los edificios modernos que se completaron con presupuestos ajustados impresionó a la universidad. La forma de puente resultó ser la solución más económica para el sitio de cañones montañosos de la escuela; nivelar la tierra hubiera requerido una base costosa. La construcción del puente resultante tiene 192 pies de ancho en su punto más la

| Hannes Homberger | 2018 | 3rd year | ZHAW Zürich | Professors:  Beat Rothen, Thomas K. Keller Concept idea The aim of the Piscicultura di Baselgia is to preserve the fish population of the 4 lakes (Silser, Silvaplaner, Champfèrer and St. Moritz) and to promote the young generation. Since the year 2017, ice fishing is also being offered on the lake of Sils during winter. Together with the usual fish farming is

| Julius Nielsen | 2015 | Settlement, Ecology & Tectonics | The Royal Academy of Fine Arts | Professor: Anne Beim, Nathan Romero Muelas The architectural potential of memory As an architect, there has always been the will to clarify the fundamental theme of my occupation; architecture as a palimpsest. I believe that architecture predominantly is a cultural profession which involves people, a historical conti

A Feeling of History Peter Zumthor / Mari Lending Disponible en La Capell Texto de Jordi Badia Una conversación entre el arquitecto y la historiadora noruega Mari Lending acerca del papel que otorga a la historia y a la memoria Zumthor en sus proyectos. En la conversación asoman alguno de sus últimos proyectos, especialmente el museo de las minas de zinc de Noruega, el memorial Steinelset y el Museo de Los Angel

Fuente: Anselm Kiefer – Matthew Biro – Phaidon · Focus Kiefer’s first major creative phase – his German years from 1969 to 1993 – is best understood as a response to a series of important prohibitions, against painting, against direct representation, and even against being German, all of which he confronted. Born on 8 March 1945, in Donaueschingen, near Freiburg im Breisgau, Kiefer gravitated to art in the mid t

Source: ArchDaily Photography: Stefan Müller Text description provided by the architects. Office Winhov and Gottlieb Paludan Architects designed the new City Archive of Delft. The façade shows a distinct type of brickwork, as it expresses the timeless and robust character of the building with storage as its main purpose. The City Archive was previously located in the centre of the city, but the archives outgrew

Fuente: Europaconcorsi Fotografía: Christian Richters Lotation The Heimolen cemetery in the city of Sint-Niklaas lies to the south of the E34 which runs from Antwerp to Gent. Tall trees and sloping banks enclose the cemetery on three sides, making the location hardly visible from the motorway. The task The design task consists of adding a reception building and a crematorium on the existing location of the cemet

| Ivana Beljan + Elizaveta Radi | 2015 | Studio Caruso | ETH Zürich | Profesor: Adam Caruso Upon entering the building the visitor is given the impression of an enfilade. However, as he advances down the suite of rooms he is taken by surprise by the central space which intersects the enfilade. These junctions form niches enhancing the spatial experience and allowing the visitor to choose his own path through the

Source: KAAN Architecten Photography: Simone Bossi, Sebastian van Damme Located in the north-west corner of the campus, which is characterized by an orthogonal plan, the 11.000 square-meter building serves all faculties and it is in constant use by some 2.200 students and lecturers that cross its spaces every day. CUBE is anchored to the landscape by paved pathways that guide users to its entrances on the south-

  Fuentes: Abitare , Silence Buried in White Cement Fotos: Vittorugo Contino, Petra Noordkamp Alberto Burri, 1915-1995, is recognised as a central figure working in Arte Povera, concerned with the integrity of poor and unorthodox industrial materials such as jute sacking, metal, plastic, tar, sand, glue and fire. He also combined architecture, sculpture and space in the creation of one of the largest landsc

Fuente: Unparelld’arquitectes Fotografía: Pep Sau La casa cáscara de Marunys Vivienda unifamiliar aislada en Sant Joan les Fonts, 2016 unparelld’arquitectes: Eduard Callís, Guillem Moliner El edificio, de apariencia masiva, corona un promontorio en el borde del tejido urbano. Se podría decir que la casa completa la fisiografía del lugar. La entrada, presidida por una plazoleta y un banco corrido, reconoce el pun

Fuente: Denys Lasdun. Architecture, city, landscape. William J.R. Curtis. Ed. Phaidon La universidad de East Anglia fue fundada en 1960 y Denys Lasdun fue contratado como arquitecto en abril de 1962. El solar consistía en un terreno de 66 hectáreas situado en el borde de Norwich, utilizado como campo de golf i flanqueado por el río Yare. Lasdun estaba decidido a preservar el paisaje llano, pantanoso y muy abiert