Rodin Sculptures

Source: Rodin. Sculptures. PHAIDON (1939)Selected by: Ludwig GoldscheiderPhotographs by: Ilse Schneider-Lengyel
Date: September 11, 2024 Category: Art, Books, Things

Beside the French painters of the ‘Great Generation’ from Manet to Cézanne stands a solitary sculptor, who ranks equally with them: Auguste Rodin.

In his two studios, one hidden in a monastery crypt in Paris and the other exposed to the sun and air on the Meudon hills, the Master surrounded himself with Egyptian, Greek and Gothic sculptures. And this most modern of all modern sculptors drew in fact upon the traditions of all great epochs. Some of his works have nothing to fear from comparison with the masterpieces of Greek art or with the sculptures of Michelangelo.

The impressive shape of the Thinker, the pathetic group of the Burghers of Calais on their way to sacrifice, the Balzac Memorial with the head towering like a gigantic summit upon a mountainous body-these are his mas-terpieces. He created also some of the most impressive portraits of our cen-tury, such as the busts of Shaw, Victor Hugo, Gustav Mahler and Clemenceau, and marvellous portraits of women.

THE SHADOW. from “THE GATE OF HELL”. Bronze. 1880.The Gate of Hell’ consists of three figures of half natural size, who with slow and weary gesture seem ready to enter into eternity. The influence of Michelangelo is manifest, but the artist’s personality was already too marked to be utterly overwhelmed by Buonarroti.

THE BURGHERS OF CALAIS. PLASTER. 1884-1886.

THE BURGHERS OF CALAIS. DETAIL Bronze 1884

THE PRODIGAL SON. BRONZE. BEFORE 1889.

THE PRODIGAL SON. Detail

FLYING FIGURE. BRONZE. 1889. This figure, of an amazing audacity, in its agitating nudity, might well have been a study for the characters intended to surround the ‘Victor Hugo seated’, ‘Meditation’ and ‘The Tragic Muse’.

THE GATE OF HELL. 1880-1917. Bronze, This monumental Gate, which was ordered by the State and was never finished, though he worked on it for over twenty years, was originally intended as a door for the Museum of Decorative Arts.. Later it was proposed to place it in the old Seminary of St. Sulpice,

THE GATE OF HELL. Detail

THE GATE OF HELL. Detail

THE HEAD OF SORROW. BRONZE. 1882.

THE THREE FAUNS. PLASTER. 1882This charming group is often called ‘The Three Bretons’. Its model is the same figure reproduced three times. It has its place in ‘The Gate of Hell’ under the tympan on a level with the left folding door.

BAUDELAIRE. PLASTER. 1898.

THE CATHEDRAL. 1908. Stone. The idea came to him one day in 1908 of representing the high pointed naves by two tapering hands joined in a gesture of prayer. Perhaps to accentuate the relationship uniting the symbol to the reality, he executed this work in stone.

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