Fuente: FALAGÁN, DAVID H. (David Hernández) Tous & Fargas: optimismo tecnológico en la arquitectura catalana de la segunda mitad del siglo XX.  Tésis doctoral. Se trata de un espacio industrial en un edificio de varias plantas, pero mínima ocupación de terreno, con la posibilidad de crecer verticalmente en el futuro. El programa que se planteaba no revestía gran dificultad en cuanto a la distribución, pero sí exi

 © Daniel Rueda Fuente: Ricardo Bofill Taller d’Arquitectura Fotografía: Gregori Civera | Fred Guillaud | Jeannette Hagglund | Nacho Alegre |  Daniel Rueda En el contexto de La Manzanera, La Muralla Roja (The Red Wall) debe considerarse como un caso aparte. El proyecto incorpora una clara referencia a las arquitecturas populares del mundo árabe mediterráneo, en particular a las torres de adobe del norte de Áfri

Fuente: Antonio Bonet. Arquitectura y Urbanismo en el Rio de la Plata y España. KATZENSTEIN E. – NATANSON G. – SCHVARTZMAN H.,Ed. Espacio Editoria, 1985; Antoni Bonet Castellana 19313-1989. Edició a càrrec de Fernando Álvarez i Jordi Roig.  Fotografía actual: Simón García La simplicidad del programa de necesidades de un canódromo, que se puede resumir en una pista y en un local de apuestas con su prolonga

Source: Architecture and Urbanism : Louis I. Kahn Paperback – 1983. Tohio, ed. Nakamura Photography: Laurian Ghinitoiu From the architect. While Louis Kahn was designing the National Assembly Building in Bangladesh in 1962, he was approached by an admiring Indian architect, Balkrishna Doshi, to design the 60 acre campus for the Indian Institute of Management in Ahmedabad, India. Much like his project in Bangladesh, h

Fuente: Process: Architecture No.11 – Harry Weese: Humanism and tradition. Pag. 106-111 The skyscraper detention center is on a square block in the south Loop of Chicago. The 27-story triangular tower and serven-story 850-car garage recognize the Loop in scale, geometry and form. One of three Metropolitan Correctional Centers in the U.S., this federal correctional center is an approach to more humanitarian pris

Fuente: architecture norway Imagenes: Helen Binet The Hedmark Museum, also known as the Storhamar Barn, is one of Fehn’s best known works and unique in Norwegian post-war architecture. The design of various parts of the new museum building and the exhibitions followed Sverre Fehn through long periods of his career. It started in 1967, when the archaeological excavations were completed. The then director of the museum

Source: Edition Bløndal – Jorn Utzon Logbook v.2 Photography: Oriol Gómez THANK YOU FOR LIGHT THANK YOU FOR LIFE THANK YOU FORALL YOU HAVE GIVEN This was the principle governing the Bagsværd Church project. The inspiration for the form and the architecture came from a wonderful visit, not once, but several times, to a vast sandy beach in on one of the Hawaiian islands Oahu, on the windward side, where the trade wind