Source: Stella Rahola Photography: Corey Bartle-Sanderson The installation materials are: Carbon tiles -charcoal coated hexagonal industrial tiles-, Carbon crystals -fertiliser with charcoal- and Silicon sculptures -blown borosilicate glass, silver mirrored and gold fuming. From afar, the Silicon Dawn is an ultramodern, sci-fi-esque landscape in which the light, reflection and darkness of the elements delineate a rhy

  Fuente: Oliveras Boix Arquitectes Fotografia:  José Hevia Rehabilitación de una antigua nave industrial para convertirla en un nuevo equipamiento municipal basado en el modelo FabLab que pone al alcance de los ciudadanos las herramientas de fabricación digital.                                     2016 – 2019 Localiz

| Antoni Garcés + Bàrbara Ferrer | 2018 | 3r curso | ETSAB | Profesor: Jordi Badia Can Ricart es una de las principales muestras del pasado industrial del Poblenou y tiene el mayor grado de protección patrimonial al estar catalogado como bien cultural de interés nacional. La parcela del proyecto se sitúa en el extremo norte del complejo, en una zona donde se mezclan edificios de viviendas con naves industriales coloc

Font: Atelier Deshaus | afasia Photo: Xia Zhi, Su Shengliang. Long Museum West Bund is located at the bank of Huangpu River, Xuhui District, Shanghai Municipality, the site of which was used as the wharf for coal transportation. Before the commencement of the design, a Coal-Hopper-Unloading-Bridge of about 110m in length, 10m in width and 8m in height, which was constructed in the 1950s, is remained with a two-storey

  Double or Nothing. 51N4E. Architectural Association Publications, BOZAR books, London. 2011. Texto por: Dominique Boudet ‘Manifestos’ The simplest thing is to begin at the beginning with their first projects, modest commissions – for the conversion of a farmhouse, the planning of a housing estate, the reorganisation of a provincial museum – that became a kind of ‘manifesto’ for an alternative approach to archi

Photography: Katalin Deér, St. Gallen (2nd-8th), Marta Cassany (1st, 9th – end) Text: Sittewerk.ch Kesselhaus Josephsohn. Galerie Feliz Lehner Ag Exhibition and storage space for the works of Hans Josephsohn.  The Kesselhaus Josephsohn shows a regularly changing selection of plaster models and bronzes by the Zurich sculptor Hans Josephsohn (1920-2012). It serves as museum-like exhibition hall and simultaneously as a

  Fuente: Hansjörf Göritz Studio Fotografía: Jürg Zürcher; Lukas Roth The project’s setting is composed of precise simplistic typologies: a ‘Supreme House’ for the plenum – a ‘Connecting House’ – a ‘Long House’ for the administration, the’Hortus Conclusus’. Not unlike elements that are inseparable parts of an organism, the project’s entity i