Source: International Clock Museum Photography: Georg Stärk El Museo Internacional de Relojería, una obra de arquitectura contemporánea. “Es el primer ejercicio integral en Europa de arquitectura troglodita contemporánea”; así se explican los arquitectos del Museo Internacional de Relojería, el suizo Pierre Zoelly y Georges-J. Haefeli. Construido del 1972 al 1974, su obra ocupa un volumen subterráneo de 20,000 m3, ex

Fuente: Hidden Architecture Barcelona, 1923 Arquitecto: Josep Maria Jujol En 1922 el contratista Evelí Planells encargó un proyecto para una casa unifamiliar en un solar que había comprado en la Gran Vía-Diagonal, en la esquina de la calle Sicilia. El primer proyecto era una casa con un jardín para un médico que tenía su quirófano en la planta baja. La casa iba a ser construida en tres niveles más un ático-loft y el

Fuente: Aldo van Eyck – Works, Ed. Vincent Ligtelijn. Páginas 134-141. ISBN 3 7643 6012 7. Sonsbeek Exhibition, Arnhem 1965-66 Rietveld, who made the previous pavilion on the same spot, must have approached the problem quite differently, judging from the structure which stood there – frail and weightless – twelve years ago. It was a beautiful thing in an uncontroversial way and widely appreciated for it; a fairy tale

Fuente: Akademie Der Künste Dieter Oesterlen (1911-1994) is one of the most important architects of the post-war epoch in Germany. As one of the founders of the Braunschweiger School “he is best known for his special handling of architectural monuments destroyed during the war. He supplemented, transformed and “modernized” churches, castles, etc. and thus showed ways beyond the “tabula rasa” or a supposedly true reco

Source and Photography: Various Kay Fisker is one of the most important housing architects in Denmark. The Hornbaekhus is his first housing scheme that has been implemented. Its rational facade is in neo-classicist style. The pleasantly green inner courtyard compensates for the austere appearance of the block. Kay Fisker (1893-1965) Kay Otto Fisker was an architect exponent of a nationally-shaped version of functiona

Photography: Simon García (actuality) | others The Glass House is best understood as a pavilion for viewing the surrounding landscape. Invisible from the road, the house sits on a promontory overlooking a pond with views towards the woods beyond. The house is 55 feet long and 33 feet wide, with 1,815 square feet. Each of the four exterior walls is punctuated by a centrally located glass door that opens onto the lands

Source: Hidden Architecture Photography: Guillaume BXL In 1972, Juliaan Lampens received the commission from Albert Van Wassehove, a professor with interest in art and architecture, to build a house in middle class residential area near Ghent. Lampens started to stand out as an architect after the Brussels Expo of 1958 making a series of projects in concrete with specific references to the architecture of Mies Van de